Genevieve Nnaji’s Lionheart: A Wise and well helmed movie.
after her first award winning feature film, Road to Yesterday, Nollywood screen
goddess, Genevieve Nnaji has returned with her sophomore feature, Lionheart
starring a slew of Nollywood greats – Pete Edochie, Onyeka Onwenu, Nkem owoh,
Chika Okpala aka Zebrudaya, Kanayo O Kanayo as well as music star Phyno and
award winning young actress, Jemima Osunde.
The film which
was rejected by a section of film distributors in Nigeria made its worldwide
debut on Netflix on Friday January 4, 2019.
My friend and
brother, Wilfred Okiche has described Lionheart as “the feel good movie of the
year” and he is correct but there is a lot he did not say.
teaming up with Ishaya Bako (who directed Road to Yesterday) and Chinny
Onwugbuenu has given us a very important movie. Lionheart, as its title
suggests, is that rare and brave thing, a stereotype defying movie, a business
primer and a very, very wise movie.
Kudos must be
given to the writers – Genevieve Nnaji, Chinny Onwugbuenu, CJ Obasi, Ishaya
Bako and Emil Garba – for providing a unifying vision around the original idea.
I have described
Lionheart as an important movie because it speaks to the future in an eloquent
voice. For over 20 years, Genevieve Nnaji has had a glorious career in
Nollywood. She has made box office hits, won awards and hugged the klieg lights
but the question is often asked, what happens to movie stars, especially
female, when they grow old, when the beauty has waned and sex appeal is all
gone. What do they become?
by donning the hat of director has shown that there is and can be a second act
for ageing actresses and by giving us such a movie rich in colour and sound as
well as in story and characterization she has shown that this is not a vanity
project. This is the real deal and the quick example that comes to mind now is
setting up a second act for herself, Genevieve has shown that she is not a
selfish diva. He casting of, or should I say, acceptance of the casting of Jemima
Osunde as her sidekick is a potent statement of its own, it anticipates a changing
of the guard and a handing-over of the baton. Genevieve has anointed a new star
in Jemima Osunde who, by the way, has been staking her claim as one to watch;
an actor at home in both serious and comic situations and even in made for tv
productions. May her reign be long!
that rare and brave thing because it ticks all the boxes for a Nigerian movie.
There is the local flavor and colour. The drone shots bring Enugu alive, presenting
to the world the fecund flora and fauna of the coal city. The mix of Igbo and
English and Hausa is so seamless it doesn’t even feel like acting and in that
sense Genevieve, who has dedicated her film to Amaka Igwe, shows that she is not
just milking Amaka’s name to sell a movie.
This point is
important because Lionheart is at its very core a homage to Rattle Snake, Amaka
Igwe’s beautifully rendered movie which laid bare the Igbo society of its time.
Genevieve has done the same but in doing so has redefined stereotypes of the
Igbo as money grabbing and Hausa hating. What this movie makes explicit is that
there are bad apples be it Igbo or Hausa or Yoruba.
sit well as a module in business schools because it is a business primer that
riffs on corporate restructuring and need for business alliances. The old ways
of doing business must give way to the new because it is better to be CEO of
one half of a company than CEO of a dead but whole company.
is a wise movie. Ernest Obiagu’s choice of his brother as acting CEO is a deft
and shocking move that leaves his daughter devastated but in the end it is an
explication of that proverb – what the elder sees sitting down, the young will
not see standing.
And oh, pay
attention to the very last scene. The. Very. Last. Scene.
has given the world a beautiful movie that captures what it means to build a
life and leave a legacy. It poses urgent existential as well as moral and
ethical questions which show us that urgent situations
require urgent remedies.
But at the end it is a movie about love,
about duty, about loyalty and about family and that is why it will resonate
why did Dr. Okiche call Lionheart a feel good movie? It is a feel good movie
because despite the dire straits in which the Obiagu’s (the Lionheart of the
title) find themselves in they never lose the capacity to laugh and most importantly
laugh at themselves. The laughs tumble out by the minute but Genevie showing a
deft and light touch as director has shown that even when a movie is a comedy
it must not always descend into farce or slapstick.
Nkem Owoh, while in his elements and at the
height of his comedic powers, is contained. There is no shouting, no
melodramatic theatrics and this control has the added effect of making his
jokes more powerful and even though they are mostly Igbo jokes transliterated
into English, they travel.
The njakiri (roasting) scene at the dinner
table is a classic and should be studied in film school. The jokes are on point
and the actors’ timing is perfect.
Phyno’s comeback to his father referencing
his sister and uncle’s recent travails is a killer.